The song "Harlem Shake" was produced by Baauer (real name Harry Rodrigues), a 23-year-old Brooklyn-based beatmaker, and uploaded to YouTube on August 23, 20124. Diplo's Mad Decent record label released it through their sub-label Jeffrees as a free download6. The track samples the lyric "do the Harlem Shake" from a 2001 song called "Miller Time" by Philadelphia party rap crew Plastic Little4.

That lyric has a wild backstory. Plastic Little member Jayson Musson (now known as artist Hennessy Youngman) wrote it after getting into a bloody fight with a rival graffiti writer. After winning the fight, he got up and did the Harlem Shake dance8. The lyric was a throwaway line about a real incident, and it sat dormant for over a decade before Baauer sampled it into a trap banger.

On January 30, 2013, YouTube personality George Miller (Filthy Frank) uploaded a compilation video on his DizastaMusic channel. The opening segment showed Miller in his Pink Guy persona and three friends in latex suits dancing to "Harlem Shake" in a bedroom5. Miller later told The FADER he wasn't even a Baauer fan: "That was probably the first song I'd heard by Baauer. I'm not really into music like Baauer's, I just thought that song was cool"8.

On February 2, five teenage longboarders from Caloundra, Australia, calling themselves TheSunnyCoastSkate, replicated Miller's segment and crystallized the format that would go viral: the jump cut, the helmet, the one-to-many structure10. That same day, Miller posted the full 36 seconds of his original dance footage as a standalone clip10.

The Harlem Shake forced a structural change in how the music industry measures hits. Billboard's decision to incorporate YouTube streaming data into the Hot 100, accelerated by the meme, permanently altered how chart positions are calculated5. This meant viral moments could directly translate into chart-topping songs, a shift that shaped the music industry for years afterward.

Google searches for "Harlem Shake" surged faster than any term in Google's history at the time, second only to "Whitney Houston" after her death10. The meme's commercial structure also drew scrutiny. The Atlantic's Kevin Ashton argued the whole thing was less grassroots than it appeared, with Mad Decent, Maker Studios, and YouTube's Content ID system turning user creativity into corporate revenue10. MSN Money went further, calling it "one big Google commercial" where "Americans forwarded 'Harlem Shake' around" while Google, Time Warner, and Mad Decent collected the ad money14.

The meme's name sparked a cultural conversation about appropriation. Harlem residents reacted with confusion and frustration that the videos had nothing to do with the actual Harlem Shake dance. Actor Chris McGuire screened the viral videos on 125th Street in Harlem, and the general consensus from passersby was blunt: "That's not the shake, B"8.

The original Harlem Shake dance dates to 1981 and was created by a Harlem resident known as "Al B," who said he was mimicking the shakes of alcoholics8. The dance was first called "the albee" before becoming known as the Harlem Shake as it spread beyond the neighborhood8.

The trap music genre benefited massively from the exposure. The Atlantic predicted the meme would carry trap from niche EDM subgenre to mainstream awareness, and that prediction largely held1. Artists like Flosstradamus, TNGHT, RL Grime, and UZ all gained broader audiences in the meme's wake1.

The Harlem Shake's trajectory from obscure trap single to billion-view phenomenon played out in roughly six weeks, making it one of the fastest-spreading memes in internet history.

The Music Industry Push

While the meme felt organic to most viewers, significant commercial machinery was running behind the scenes. Mad Decent had given away the track for free in May 2012 specifically to build grassroots interest. Label manager Jasper Goggins told Billboard: "We wanted the music to live on its own for a period of time, to be able to build a groundswell around the track"6. When the meme exploded, YouTube's Content ID system and a company called INDmusic (which had partnered with Mad Decent in early 2012) began automatically claiming thousands of user-uploaded videos for monetization6. By February 14, over 4,000 videos with more than 30 million views had been claimed through Content ID6. INDmusic embedded "click to buy" links on user videos and worked to maximize ad rates. Co-founder Brandon Martinez told Billboard: "We're encouraging people to make these videos. We want users' videos to have 1 million views, we're just claiming the song so everyone can collect revenue"6.

The sales impact was immediate. "Harlem Shake" sold 12,000 copies in the week ending February 10 and entered the iTunes chart at #3 behind Macklemore's "Thrift Shop" and Rihanna's "Stay"6. By February 15, it hit #1 on iTunes in America and #2 in the UK and Australia5.

The Billboard Shakeup

The meme's biggest structural impact on the music industry was forcing Billboard's hand on YouTube data. Billboard had spent two years discussing whether to incorporate YouTube views into the Hot 100 calculation5. The Harlem Shake phenomenon accelerated those plans. When Billboard added YouTube streaming data as one of three metrics, Baauer's "Harlem Shake" debuted at #1 on the Hot 100 on February 21, 20135. Without the rule change, it would have entered only around the top 155. The track finished as the #4 song of 2013 on Billboard's year-end chart5.

The Billion-View Sprint

Harlem Shake videos hit 1 billion cumulative views on March 24, 2013, just 40 days after the first upload5. For context, "Gangnam Style" took about 80 days to reach the same mark, and "Call Me Maybe" took roughly 240 days5. During those 40 days, videos averaged more than 20 million views per day5.

Political Protest in the Middle East

The meme took on an entirely different meaning in Egypt and Tunisia, where young activists used it as a form of protest against ruling Islamist regimes. About 400 young men performed the Harlem Shake outside the Muslim Brotherhood's Cairo headquarters in late February 2013, chanting for the departure of President Mohamed Morsi11. The Brotherhood responded by shutting off the lights and closing the office11. Online Brotherhood member Ahmad al-Mogheer then uploaded a retaliatory Harlem Shake, in which dancers wore masks of the opposition National Salvation Front3.

In Tunisia, Salafist groups tried to shut down a Harlem Shake recording at a school in Tunis, leading to a physical scuffle with students11. "Our brothers in Palestine are being killed by Israelis, and you are dancing," one Salafist yelled at the participants11. Four Egyptian pharmaceutical students were arrested for filming a semi-nude version that "shocked residents" of a middle-class Cairo neighborhood7. Other students managed to film a version in front of the pyramids, featuring a camel and a man in his underwear and a bow tie7.

The FCC Controversy

The meme resurfaced in December 2017 when FCC Chairman Ajit Pai appeared in a video for The Daily Caller, performing the Harlem Shake as part of a skit titled "7 Things You Can Still Do on the Internet After Net Neutrality"4. Diplo tweeted at Baauer to "call the lawyers," and Baauer responded publicly: "The use of my song in this video obviously comes as a surprise to me as it was used completely without my consent or council"13. He told Billboard he was "exploring every single avenue available to get it taken down"13.

The nonprofit MuckRock filed a FOIA request with the FCC for emails about the video's creation but was denied12. Executive editor J. Pat Brown called out the refusal: "The very basic fact that they're unwilling to even disclose whether anybody had objections to this internally, or if they were all aboard, is the larger problem"12. The incident added to broader criticism of the FCC's transparency record under Pai12.

Why It Worked

The meme's structure was a near-perfect viral formula. TechCrunch's Josh Constine described it as a "Symbiotic Meme" where the rigid template invited infinite variation while funneling traffic back to the originals9. The 30-second length meant minimal commitment to watch or create. The Washington Post credited jump cuts, hypnotic beats, and quick setups for instant shareability5. The humor required no language comprehension, giving it global reach5. And the format created a level playing field. Celebrity versions had no inherent advantage over a group of kids in a dorm room5.